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A01=Ana Vasconcelos
A01=Antonia Gaeta
A01=Leonor Nazare
A01=Patricia Rosas
A01=Rita Albergaria
A01=Rita Fabiana
Acquisitions
AmadeoSouza-Cardoso
Author_Ana Vasconcelos
Author_Antonia Gaeta
Author_Leonor Nazare
Author_Patricia Rosas
Author_Rita Albergaria
Author_Rita Fabiana
BritishArt
BritishCouncil
CAM
CAMCollection
CAMHistory
Category=AGB
Category=AGC
ContemporaryAndModernArt
DavidHockney
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eq_isMigrated=1
eq_isMigrated=2
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eq_non-fiction
MariaHelenaVieiraDaSilva
PaulaRego
PortugueseArt

Product details

  • ISBN 9789898758897
  • Weight: 1000g
  • Dimensions: 220 x 280mm
  • Publication Date: 20 Oct 2025
  • Publisher: Fundacao Calouste Gulbenkian, Plano de Edicoes
  • Publication City/Country: PT
  • Product Form: Paperback
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Published in conjunction with the exhibition Histories of a Collection. Modern and Contemporary Art from the CAM, this catalogue follows various stories relating to the creation of the CAM Collection (Centro de Arta Moderna Gulbenkian), from the first acquisitions by the Foundation in the 1950s to the present day, as well as offering an in-depth account of the opening of the CAM building in 1983.

The catalogue contains seven previously unpublished essays, written by curators Ana Vasconcelos, Leonor Nazaré, Patrícia Rosas and Rita Fabiana, architect Rita Albergaria and independent curator, Antonia Gaeta, outlining some of the key moments in the Collection’s history.

These essays analyse the first acquisitions, made in the context of artist grants awarded by the Foundation and as a result of travelling exhibitions organised in Portugal and abroad, and the development of the section of British art, in close collaboration with the British Council.

The catalogue also delves into the construction of the CAM building and the controversy that accompanied the entire process, as well as reflecting on the acquisitions made from the banker and collector Jorge de Brito, which contributed to greatly strengthening the collection in the months leading up to the opening.

The catalogue also charts the contribution of the last three CAM directors, Jorge Molder, Isabel Carlos and Penelope Curtis, explaining their priorities in the selection of works and the acquisition policies each of them implemented.

It also reproduces almost all the works on display, organised according to the sections of the exhibition and highlighting seven key works, all acquired during the 1960s, by some of the most renowned Portuguese and British artists featured in the collection: Amadeo de Souza-Cardoso, David Hockney, João Cutileiro, José de Almada Negreiros, Maria Helena Vieira da Silva, Paula Rego and Philip King.

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