Histories of Performance Documentation

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Babette Mangolte
Barbara Clausen
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Catherine Wood
Cosey Fanni Tutti
curatorial strategies
De La Danse
Digital Asset Management System
Digital Games
digital interaction analysis
documenting time-based art practices
ephemeral media conservation
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Eric Kaltman
Eternal Frame
Henry Lowood
Interactive Art
Interactive Media Art
Jonah Westerman
Joseph C. Osborn
Katja Kwastek
Light Therapy
live art preservation
Ludwig Boltzmann Institute
mangolte
MoMA Collection
MoMA's Archive
MoMA’s Archive
museum studies research
Nikki De Saint Phalle
Organic Honey
performance re-enactment
Peter Tolmie
Pip Laurenson
Playing Back
Prix Ars Electronica
Steve Benford
Time Based Arts
UK National Archive
Van Abbemuseum
Van Saaze
Variable Media Network
Vice Versa
Walker Art Center

Product details

  • ISBN 9781138184145
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Aug 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays.

Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney, to examine a range of interdisciplinary practices that have influenced the field of performance documentation. Chapters build on recent approaches to performance analysis, which argue that it should not focus purely on the live event, and that documentation should not be read solely as a process of retrospection. These ideas create a radical new framework for thinking about the relationship between performance and its documentation—and how this relationship might shape ideas of what constitutes performance in the first place.

Gabriella Giannachi is Professor in Performance and New Media at the University of Exeter, UK.

Jonah Westerman is Assistant Professor of Art History at Purchase College, State University of New York. From 2014-2016 he was AHRC Postdoctoral Research Associate at Tate, and in 2016-17 he was Chester Dale Senior Fellow in Art History at The Metropolitan Museum of Art.