History as Fantasy in Music, Sound, Image, and Media

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audio-visual interaction
audiovisual historiography
Category=AVLA
Category=JBCT
Category=NH
constructing musical pasts in media
early music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
fantasy music
folk horror music
immersive media
immersive media analysis
medievalism studies
musical authenticity
period sound design
popular culture
sound design
virtual reality
virtual reality narratives
visual cultures

Product details

  • ISBN 9781032271880
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on the stage and screen; theorise the future of musical histories in immersive and virtual media; and explore sound’s role in more fantastical appropriations of history in television and videogames. Together, they pose

provocative questions regarding our perceptions of ‘early’ music and the sensory experience of distant history. Offering new ways to understand the past at the crossroads of musical and visual culture, this collection is relevant to researchers across music, media, and historical and cultural studies.

James Cook is Senior Lecturer in Early Music at the University of Edinburgh.

Alexander Kolassa is a Lecturer in Music at the Open University, UK.

Alexander Robinson is a Marie-Skłodowska-Curie postdoctoral fellow at the CESR, Tours, France.

Adam Whittaker is Head of Pedagogy at Royal Birmingham Conservatoire,UK.