History, Ethics, and the Recognition of the Other

Regular price €204.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Anton Froeyman
Author_Anton Froeyman
Bertrande De Rols
Bird's Eye
Bird’s Eye
Category=NHAH
Category=QD
Category=QDTS
Common Language
Concrete Moral Situation
Eelco Runia
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical engagement with the past
ethical responsibility history
frank
Frank Ankersmit
Free Indirect Discourse
Great Cat Massacre
guerre
hermeneutic methodology
historical
historical performance music
Historical Performance Practice
Historical Performers
historiography theory
ladurie
Le Roy Ladurie
Le Roy Ladurie's Montaillou
Le Roy Ladurie’s Montaillou
levinasian
Levinasian Ethics
Levinasian Perspective
Levinasian Point
Levinasian View
martin
Martin Guerre
microhistory analysis
Nelson Mandela
perspective
Post-foundational Political Theory
poststructuralist critique
roy
Social Bandit
St John Passion
St Matthew Passion
Sublime Historical Experience
view
Virtue Ethics
writing
Young Man

Product details

  • ISBN 9781138951259
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Oct 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book introduces a new way of looking at the writing of history. Rather than as the production of knowledge or the telling of stories, it sees writing history as an ethical, existential and emotional engagement with the people from the past. The conceptual and philosophical basis for this view is provided by the philosophy of Emmanuel Levinas. In the first part, the view is presented and contrasted with other, competing views, such as those of Hans-Georg Gadamer and Michel Foucault. In the second part, the view is argued for, most importantly by an in-depth discussion of one specific tradition of history-writing (microhistory), and a series of close readings of several classical works from the history of historiography. The third part, finally, explores some of the methodological consequences of this view, and applies it to a non-academic way of dealing with the past, namely historical performance practice in music. The book features a foreword by Frank Ankersmit.

Anton Froeyman is a post-doc in the Philosophy Department at Ghent University, Belgium.

More from this author