History of Chinese Animation I

Regular price €55.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Animated Film
Animated Short Films
animation aesthetics
Animation Creation
Animation Department
animation education research
artistic styles
business models
Category=AB
Category=AGA
Category=AJ
Chinese Animation
Chinese animation industry evolution
cultural policy analysis
East Asian film history
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flos Sophorae
Golden Horse Awards
government support policies
industrial development
International Children's Film Festival
International Children’s Film Festival
Jade Emperor
Jiefang Daily
Jin Xi
Magic Brush
Main Characters
media industry studies
Monkey King
Princess Iron Fan
Proud General
Puppet Film
SFS
Shanghai Animation Film Studio
Sun Wukong
Superb
visual storytelling techniques
Wan Brothers
Wan Laiming
Young Man
Yuan Muzhi

Product details

  • ISBN 9781032235721
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future.

This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation.

Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.

Sun Lijun is the Vice President of Beijing Film Academy, President of the China Animation Institute of the Beijing Film Academy, Vice President of the China Animation Association, and the President of the Beijing Film and Television Animation Association. He has published widely on animation. Famous publications include Modern Animation Design, Animation Art Dictionary and Animation Fundamentals.