History of Latinx Performing Arts in the U.S.

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A01=Beatriz J. Rizk
Author_Beatriz J. Rizk
borderlands theatre history
Category=AFKP
Category=ATD
Chicana dramaturgy
Chicano artistic renaissance
cultural identity politics
Diversity
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feminist performance studies
Identity
John Leguizamo
Latinx theatre history and methodology
Lin-Manuel Miranda
Luis Valdez
Maria Irene Fornes
Miguel Pinero
Nilo Cruz
performance
politics
sociolinguistics in performance
Teatro Campesino
transnational migration arts

Product details

  • ISBN 9781032471198
  • Weight: 700g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jan 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century.

This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S.

A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.

Beatriz J. Rizk, PhD, is the Educational Director of the International Hispanic Theatre Festival of Miami, U.S., and a member of Teatro Avante. She has published numerous articles on Latinx and Latin American theatre in specialized journals in the Americas and Europe. Her books include Imaginando un Continente: Utopía, democracia y neoliberalismo en el teatro latinoamericano, two volumes (2010).

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