History of Pre-Cinema V1

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Angular Distance
Animal Locomotion
Animals
Architecture
Art
Artisans
Binocular Vision
Camera Obscura
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Church
Cinema
Cities
Comedy
Convex Lens
Correspondence
Diorama
early film
Edinburgh
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Exhibitions
film theory
Follow
Fore Feet
Fore Leg
Friendship
Gardens
Government
Hind Foot
Hind Legs
Hobbies
Hold
Inclined
Instantaneous Photography
Labourers
Law
Left Eye
Left Hind Foot
Letter Writing
Luminous Impression
magic lantern
Mechanics
Museums
Newspaper
Periodicals
Photogenic Drawing
Photography
Plane Mirrors
Poetry
Professor Wheatstone
Publishing
Ruhmkorff Coil
Schools
Science
Skilled workers
Sport
stereoscopic photography
Stereoscopic Pictures
Superposed
Technology
time-based visual media
Vertical Apertures
Wollaston

Product details

  • ISBN 9781032514925
  • Weight: 960g
  • Dimensions: 174 x 246mm
  • Publication Date: 19 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The contents of A History of Pre-Cinema Volume 1 (and its companion volumes 2 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. To view pre-cinema devices merely as steps towards the cinema, however, would be a very narrow perspective. They were - and in some cases still are - self-contained media with their own peculiarities, differences, potential and limitations. This volume concentrates on items published before the spread of the cinema and later references to devices of that period. Having easy access to original texts in facsimile is a useful resource for researchers. Volume 1 is divided into the following sections: The camera obscura; Photography; Stereoscopy; Moving photographs; Chronophotography; Optical, philosophical toys.

Stephen Herbert trained as a media technician, and spent many years in film exhibition and production. His interest in the origins of the moving image led to Stephen co-editing the influential book and website Who’s Who of Victorian Cinema, and contributions to academic journals. He ran the small press The Projection Box, and has recently retired as a freelance museum consultant.