History of the Present

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A01=David Roberts
Absolute Present
Aesthetic Economy
Aesthetic Regime
aestheticization
Agnes Heller
Animal Kingdom
Arcades Project
art and fashion convergence
Art Historical Museum
Author_David Roberts
Category=AGA
Category=DS
Category=DSA
Category=GLZ
Category=JBCC
Category=JHB
Category=JHBA
Category=NHAH
Conferred
Contemporary Art
contemporary cultural theory applications
Contemporary Global Modernity
Contemporary Museum
Contemporary Society
critical theory
cultural modernity
Cultural phenomena
cultural theory
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European modernity
Follow
Global Art
global literature
Gyorgy Markus
Hegel
Hegel's Absolute Spirit
Hegel’s Absolute Spirit
heritage
heritage studies
historical consciousness
historiography
history
imaginary museum
Involuntary Memory
literary studies
Markus's Theory
Markus’s Theory
Messianic Cessation
musealization
museum studies
novels
Omnipresent
Overburdening
Paradoxical Unity
Peter Kien
presentism
Proust's Involuntary Memory
Proust’s Involuntary Memory
science fiction
scientization
social theory
Switchboards
trauma theory
Unlimited
USA
Walter Benjamin

Product details

  • ISBN 9780367530952
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the demise of the grand narrative of European modernity. That once commanding narrative located the meaning of the past in the present and the meaning of the present in an ever-receding future. Today, instead, the present defines both the past and the future. The ‘contemporary’ has replaced ‘modern’ and ‘post-modern’ self-understandings. The times of the past and the future have been transformed into versions of ‘now’ while the present has acquired its own history. History of the Present describes the emergence of this ‘contemporary’ historical consciousness across a wide spectrum of cultural phenomena ranging from historiography to heritage and museum studies, and from the globalization of the novel to the rise of science fiction. The culture of the ‘contemporary’ appears particularly clearly in the merging of high and low culture along with art and fashion. This book will appeal to scholars of sociology, cultural and social theory, museum and heritage studies, and literary history and criticism.

David Roberts is Emeritus Professor in the School of Languages and Literatures at Monash University, Australia. He is the author of Art and Enlightenment: Aesthetic Theory after Adorno and The Total Work of Art in European Modernism, the co-author of Dialectic of Romanticism: A Critique of Modernism, the editor of Reconstructing Theory: Gadamer, Habermas, Luhmann, and the co-editor of Comic Relations: Studies in the Comic, Satire and Parody.

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