History of Three-Dimensional Cinema

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3D Film Technology
3D Technology
A01=David A. Cook
Anaglyph
Anaglyphic Cinema
Arts
Author_David A. Cook
Category=ATF
Category=ATFA
Cinema History
Digital Media
Digital Stereoscopy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film And Video Production
Film Criticism
Film Criticism And Theory
Film Production
Flim
Media Studies
Stereoscope
Stereoscopic Photography
Stereoscopic Vision
Stereoscopy
Virtual Reality
Virtual Reality Applications
Virtual Reality Technology

Product details

  • ISBN 9781839980121
  • Weight: 454g
  • Dimensions: 153 x 229mm
  • Publication Date: 14 Sep 2021
  • Publisher: Anthem Press
  • Publication City/Country: GB
  • Product Form: Hardback
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A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.

David A. Cook is a Professor of Media Studies at the University of North Carolina at Greensboro, USA, and the author of A History of Narrative Film (2016).

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