History Play

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A01=Nicholas Grene
Arthur Miller
Author_Nicholas Grene
authority
bodies politic
Brecht
Buchner
Caryl Churchill
Category=ATD
Category=DSG
character
Coriolanus
cult of the individual
drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European
forthcoming
Goethe
heroism
history
Ibsen
Jonson
Julius Caesar
kingship
Lucy Kirkwood
Marlowe
Mother Courage
nation
past
people
performance
play
politics
power
present
Racine
Schiller
Shakespeare
Shaw
The Crucible
theatre
Tom Stoppard
Tony Kushner
tyranny

Product details

  • ISBN 9781350510272
  • Dimensions: 129 x 198mm
  • Publication Date: 15 Oct 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Traversing 400 years of drama, this book examines the history play as a distinctive form that has its origins in the Early Modern period and which evolves in each subsequent period according to the segment of history being dramatized and the changing conceptions of the state.

Much has been written on Shakespeare’s history plays but very little on the overall form and whether it is distinguished by the historical accuracy of the drama, the relationship with the audience or the underlying political ideology. Defining the history play as one where the dramatic focus is on historical practice embodied in action rather than merely on the individual characters involved, a clear form emerges. Threaded through is a consideration of the changing understanding of history itself through the centuries and the ways in which playwrights have engaged with both the history of their own time, and the history of other times and cultures as it reflects their own.

Beginning with Shakespeare, his contemporaries Marlowe and Jonson, and the neocclassical Racine, the book moves to the long 19th century, considering plays by Goethe and Schiller, so influenced by Shakespeare, taking in Buchner, Ibsen and Schiller. The final part explores the 20th and 21st centuries, including the radical innovations of Shaw and Brecht, Miller's The Crucible, Churchill’s early play Light Shining in Buckinghamshire and works by Tony Kushner and Tom Stoppard.

Nicholas Grene is a Member of the Royal Irish Academy and Emeritus Professor of English Literature, Trinity College Dublin, Ireland. His books include The Politics of Irish Drama (1999), Shakespeare’s Serial History Plays (2002), The Theatre of Tom Murphy: Playwright Adventurer (Bloomsbury, 2017) and Farming in Modern Irish Literature (2021).

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