Holland’s Golden Age in America

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Age Group_Uncategorized
Age Group_Uncategorized
art
automatic-update
B01=Esmee Quodbach
Boston
Category1=Non-Fiction
Category=AC
Category=ACQ
Category=AGA
collecting
collectors
COP=United States
cultural history
Delivery_Delivery within 10-20 working days
Dutch
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gilded Age
Golden Age
Hals
history
Language_English
market art dealers
museum
Museum of Fine Arts
museums
NWS=1
Old Masters
PA=Available
painting
philanthropy
Price_€50 to €100
PS=Active
Rembrandt
seventeenth-century
SN=The Frick Collection Studies in the History of Art Collecting in America
softlaunch
The Frick Collection
The Metropolitan Museum of Art
the Netherlands
united states
United States of America
us
usa
Vermeer

Product details

  • ISBN 9780271062013
  • Weight: 1383g
  • Dimensions: 203 x 254mm
  • Publication Date: 08 Jul 2014
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Americans have long had a taste for the art and culture of Holland’s Golden Age. As a result, the United States can boast extraordinary holdings of Dutch paintings. Celebrated masters such as Rembrandt van Rijn, Johannes Vermeer, and Frans Hals are exceptionally well represented, but many fine paintings by their contemporaries can be found as well. In this groundbreaking volume, fourteen noted American and Dutch scholars examine the allure of seventeenth-century Dutch painting to Americans over the past centuries. The authors of Holland’s Golden Age in America explain in lively detail why and how American collectors as well as museums turned to the Dutch masters to enrich their collections. They examine the role played by Dutch settlers in colonial America and their descendants, the evolution of American appreciation of the Dutch school, the circumstances that led to the Dutch school swiftly becoming one of the most coveted national schools of painting, and, finally, the market for Dutch pictures today.Richly illustrated, this volume is an invaluable contribution to the scholarship on the collecting history of Dutch art in America, and it is certain to inspire further research.

In addition to the editor, the contributors are Ronni Baer, Quentin Buvelot, Lloyd DeWitt, Peter Hecht, Lance Humphries, Walter Liedtke, Louisa Wood Ruby, Catherine B. Scallen, Annette Stott, Peter C. Sutton, Dennis P. Weller, Arthur K. Wheelock, Jr., and Anne T. Woollett.

Esmée Quodbach is Assistant Director of the Center for the History of Collecting at The Frick Collection and Frick Art Reference Library in New York.