Hollywood and China in the Post-postclassical Era

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A01=Lara Herring
auteur theory
Author_Lara Herring
Category=ATF
Category=ATFN
Category=ATFX
Category=GTM
Category=JBCT
Category=JBCT3
Category=KNTC
Category=NH
China
cinema
co-production agreements
contemporary cinema
cultural policy analysis
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film finance
film industry studies
global cinema
global film markets
globalisation
globalization
Hollywood
Hollywood China economic relations
industry
media economics
post-classical
postclassical
production studies
transnational
transnational media

Product details

  • ISBN 9781032506036
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the contemporary relationship between Hollywood and China as case studies that help to define a new era in Hollywood film industry, style, and economics, which is termed the ‘post‑postclassical’ period.

Centred around a case study of Legendary Entertainment, the analysis shows how the studio adopted and adapted its global strategies in order to gain access to and favour within the Chinese film market, and how issues of censorship and financial performance affected the choices they made. Demonstrating Legendary’s identity as a ‘post‑postclassical’ studio and examining how this plays into its China‑strategy, this book explores how this particular case and the necessary analysis of wider political economic relations offer a periodisation of the contemporary Hollywood‑China relationship.

This book will interest students and scholars of media and film studies, as well as academics whose research interests include global cinema, Hollywood, Chinese cinema, transnational cinema, and film industry studies.

Lara Herring is a lecturer in the School of Arts and Media at the University of Salford in the UK. Coming from a film production background, Lara’s research is largely centred around film industry analysis, framed by cinematic geopolitics and the role of cinema in communicating national identity.

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