Hollywood and the CIA

Regular price €198.40
A01=David Herrera
A01=James Baumann
A01=Oliver Boyd Barrett
Alec Leamas
Author_David Herrera
Author_James Baumann
Author_Oliver Boyd Barrett
bond
Bond Film
Casino Royale
Category=ATFA
Category=JBCT
Category=JMR
Category=JPWC
Category=JPWS
Category=JWA
Category=JWKF
Category=NH
CIA Act
CIA Agent
CIA Contact
CIA Director
CIA History
CIA Involvement
CIA Officer
CIA Operation
CIA Station Chief
CIA Team
Cody Banks
democratic accountability
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
False Flag
False Flag Operation
film portrayal of intelligence agencies
films
games
Golgo 13
hawk
hudson
hunt
intelligence studies
Ipcress File
Junta
lewinsky
media influence
Military Junta
Oliver Stone's JFK
Oliver Stone’s JFK
patriot
Patriot Games
political communication
propaganda analysis
red
scandal
security studies
Torn Curtain
West Germany
Young Man

Product details

  • ISBN 9780415780063
  • Weight: 920g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Feb 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy.

As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even "brand," one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the "business" of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to "normalize" the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other.

This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general.

Oliver Boyd-Barrett is Professor of Journalism at Bowling Green State University, and author/editor of 20 books and over 120 scholarly articles.

David Herrera is a graduate student at the Missouri School of Journalism in Columbia, MO. He worked as a Web Producer at the Detroit Free Press after graduating from Bowling Green State University where he studied journalism and popular culture.

Jim Baumann is an Assistant Professor in the Communication Department at St. Ambrose University. He received his PhD from the School of Communication Studies at Bowling Green State University.