Hollywood Melodrama and the New Deal

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A01=Anna Siomopoulos
Author_Anna Siomopoulos
Blonde Venus
Category=ATFN
Category=GTM
Category=JBCT
Category=NHK
Cognitivist Film Theories
consumer citizenship studies
dallas
Deal Rhetoric
Depression era cinema
double
Double Indemnity
emperor
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ering
FDR
Footlight Parade
Frank Chambers
Franklin Delano Roosevelt
fredi
Full Employment Bill
Gangster Film
Gangster Protagonist
Henry King
Hollywood Gangster Film
Hollywood Melodrama
Insurance Company's Association
Insurance Company’s Association
jones
King Vidor's Stella Dallas
King Vidor’s Stella Dallas
liberal empathy politics
mass culture analysis
maternal
Maternal Melodrama
Melodramatic Rhetoric
Mob Members
New Deal influence on film narratives
political gangster films
Pullman Porter
Specific Reception Contexts
stella
Stella Dallas
Stella's Decision
Stella’s Decision
suff
Tony Camonte
Universal Negro Improvement Association
washington
welfare state theory

Product details

  • ISBN 9780415882934
  • Weight: 470g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Mar 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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While many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal.

This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently in Hollywood melodramas of the Depression era because these films engage the political ideas underlying welfare state policies—ideas that extended the reach of government into the private realm. As the author shows, Hollywood melodramas interrogated New Deal principles of liberal empathy—consumer citizenship, the refeudalization of the state, and minimal economic redistribution—only to support welfare-state ideology in the end.

Anna Siomopoulos is Associate Professor of English and Media Studies at Bentley University.

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