Hollywood on Stage

Regular price €18.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Kimball King
AIDS Hero
American Buffalo
American drama analysis
angel
Angel City
Arthur Kopit
Artist's Model
Author_Kimball King
big
Big Knife
bobby
buddy
Buddy Film
Category=A
Charlie Fox
city
cultural studies
Culver City
dramatic deconstruction of Hollywood
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fun Level
Gay Theatre
gender and race representation
glen
glengarry
gould
knife
Los Angelization
Mamet's Play
media industry critique
Merton Gill
Oral Contract
Owl Answers
playwright perspectives
Pop Stars
Pornographic Film Industry
ross
Santa Monica Beach
Shepard's True West
Sunset Boulevard
Super Man
theater criticism
True West
Willow Trees
Young Men

Product details

  • ISBN 9780815328230
  • Weight: 630g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Oct 1997
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Playwrights have been depicting Hollywood as a cultural desert and an industry of profit-driven philistines ever since the early days of the movies. This collection of original essays covers the period from the 1920s to the present but concentrates on such contempory playwrights as David Mamet, Sam Shepard, David Rabe, Arthur Kopit, and Adrienne Kennedy. A substantial proportion of the volume is devoted to a discussion of the way in which these authors deconstruct Hollywood myths to reveal painful social and psychological issues in American life, providing a deeper and darker picture than the simple satires of movie-making in the 1920s and 1930s or Odets's comparison of the commercially debased Hollywood with the higher, purer art of the theatre. To complete and further complicate the picture, the volume concludes with essays on the African American experience, gay writers, and feminist writing as seen through the lens of Marlane Myer's ETTA JENKS. It is obvious that the legitimate stage remains a watchdog and constant critic of what is possibly the world's most powerful cultural phenomenon This book will be eargerly read by all students of film, theatre, and 20th century literature.

More from this author