Hollywood Screwball Comedy 1934-1945

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1930s
A01=Gregoire Halbout
actors
Author_Gregoire Halbout
Category=ATMC
comedians
comedic films
eccentricity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
equality
gender roles
Genre
mapcap
middle class
romantic comedy
situational comedy
slapstick
social norms
stars

Product details

  • ISBN 9781501389313
  • Weight: 680g
  • Dimensions: 178 x 252mm
  • Publication Date: 23 Feb 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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A 2022 CHOICE Outstanding Academic Title

Love at first sight, whirlwind marriages, break-ups, divorces, remarriage… What accounts for the enduring success of the Hollywood madcap comedies of the 1930s?

Directed by masters of comedy (Hawks, LaCava, Leisen, Ruggles...) and featuring the decade’s most iconic stars (Colbert, Dunne, Grant, Hepburn...), these films set romantic comedy standards for decades to come. Screwball comedy embarked on two challenging missions: to poke fun at established social norms and to undermine stereotypical depictions of gender roles, putting forward a discourse that postulated the possibility of equality between men and women.

Grégoire Halbout’s reexamination of screwball comedy provides a comprehensive overview of this (sub)genre, eschewing the auteurist approach and including “minor” works never before analyzed through the screwball lens. His book explains how these screwball stories met the expectations of a booming American middle class eager for the liberalization of morals, with daring plots, verbal humor and slapstick techniques.

Building on the work of Cavell, Altman and Gehring, as well as international and French scholarship, Halbout’s investigation unfolds in three parts. He first establishes a definition of Hollywood screwball comedy through a cross-sectional analysis of its socio-historical context and an in-depth examination of the genre. He then situates screwball comedy in relation to its institutional context. An exclusive study of archival material explains the emergence of a screwball aesthetic meant to subvert the prohibitions of the 1934 Hollywood Production Code through a verbal and visual rhetoric of diversion and mitigation. Finally, Halbout explores the social function of the genre’s placement of romantic intimacy at the center of the public sphere and the democratic debate, confirming that screwball eccentricity upholds America’s founding values: freedom of speech, free consent, and contractual engagement.

Grégoire Halbout is Associate Professor of English and Cinema at the University of Tours, France. He writes in French and English about Hollywood comedy and the social function of cultural industries, as well as gender and sexuality in contemporary film and television.

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