Hope and Aesthetic Utility in Modernist Literature

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A01=Tim DeJong
Adam Verver
aesthetic principles
Aesthetic Utility
aesthetic value in modernist texts
affect theory
art and society
artistic practice
Author_Tim DeJong
Beckett's Work
Beckett’s Work
Category=AGA
Category=DC
Category=DNB
Category=DS
Category=DSB
common faith
cultural criticism
De La Durantaye
Delaware Water Gap
Des Esseintes
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Fairy Tale
Ferris Wheel Theory
Galley Slave
Golden Bowl
literary modernism
Long Shot
Maggie Verver
Merton Densher
Modernist Hope
modernist literature
optimism in literature
Parallel Editing
Soren Kierkegaard
twentieth-century writers
White America
Young Man

Product details

  • ISBN 9781032175874
  • Weight: 290g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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"Hope" and "modernism" are two words that are not commonly linked. Moving from much-discussed negative affects to positive forms of feeling, Hope and Aesthetic Utility in Modernist Literature argues that they should be. This book contends that much of modernist writing and thought reveals a deeply held confidence about the future, one premised on the social power of art itself. In chapters ranging across a diverse array of canonical writers – Henry James, D.W. Griffith, H.D., Melvin Tolson, and Samuel Beckett – this text locates in their works an optimism linked by a common faith in the necessity of artistic practice for cultural survival. In this way, the famously self-attentive nature of modernism becomes a means, for its central thinkers and artists, of reflecting on what DeJong calls aesthetic utility: the unpredictable, ungovernable capacity of the work of art to shape the future even while envisioning it.

Tim DeJong received his Ph.D. in English at Western University and is currently employed as a Lecturer in the English Department at Baylor University. His academic essays have been published in Modernist Cultures, Research in African Literatures, College Literature, Texas Studies in Literature and Language, and English Studies in Canada. His poetry appears in Rattle, Roanoke Review, Booth, Kindred, Nomadic Journal, Common Ground Review, and other journals. He lives with his wife and three children in Woodway, Texas.

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