Horror Television in the Age of Consumption

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adaptation
adaptation theory
Alexander N. Howe
American Horror Story
Anthology Horror
Anthology Shows
Bates Motel
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Category=JBCT
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Cinematic Horror
cultural critique of horror television
cultural studies
Ed Cameron
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eq_non-fiction
eq_society-politics
Evil Dead
Evil Dead II
Female Werewolf
Fire Walk
Found Footage Horror
gender identity media
genre
gothic
Gothic Horror Films
gothic studies
Gothic Television
Hemlock Grove
history
Horror Genre
Horror Television
Ian Conrich
Jim Daems
Kyle Christensen
Linda Belau
Lorna Jowett
Mark Jancovich
media studies
Michael Fuchs
nostalgia
Penny Dreadful
Peter Hutchings
popular culture
psycho-social horror
Queer Family
Rose Butler
serial
Serial Killer
Serial Killer Genre
serial narrative analysis
Sleepy Hollow
Stacey Abbott
television studies
televisual aesthetics
TV
Tv Series
Twin Peaks
Vampire Diaries
Walking Dead
Zombie Narrative

Product details

  • ISBN 9780367888923
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations. This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows’ themes comment on the culture that consumes them. Featuring new work by many of the field’s leading scholars, this collection offers innovative readings and rigorous theoretical analyses of some of our most significant contemporary texts in the genre of Horror Television.

Linda Belau is Professor in the Department of Literature and Cultural Studies and Director of Film Studies at the University of Texas-Rio Grande Valley, USA. She is the editor of Topologies of Trauma (2002), Psychoanalysis and La Femme (2010) and the author of several articles on literary, cultural, and cinema studies.

Kimberly Jackson is Associate Professor of English and Chair of the Department of Language and Literature at Florida Gulf Coast University, USA. She is the author of Technology, Monstrosity, and Reproduction in Twenty-First Century Horror (2013) and Gender and the Nuclear Family in Twenty-First Century Horror (2016).