Hot Art, Cold War � Southern and Eastern European Writing on American Art 1945-1990

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32nd Venice Biennale
Abstract Art
Abstract Expressionism
American art
American Modern Art
American Pop Art
Arshile Gorky
Ben Shahn
Category=AGA
Claes Oldenburg
Cold War cultural exchange
Cold war era
comparative analysis of American art reception
Contemporary American Art
Contemporary Society
cross-cultural aesthetics
De Kooning
Eastern European Writing
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European art criticism
European art historiography
European Writing
FRG
Helen Frankenthaler
ideological art reception
Louise Nevelson
Minimal Art
Non-functional connotations
Philip Guston
Pop Art
Post Painterly Abstraction
Robert Motherwell
Rockwell Kent
Roy Lichtenstein
socialist realism discourse
transnational art criticism
West Germany
Willem De Kooning
Young Man

Product details

  • ISBN 9780367437879
  • Weight: 1846g
  • Dimensions: 174 x 246mm
  • Publication Date: 22 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources.

Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations.

This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences.

Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.

Claudia Hopkins is Senior Lecturer in History of Art at the University of Edinburgh.

Iain Boyd Whyte is Professor of Architectural History at the University of Edinburgh.