House of Blackwood

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A01=David Finkelstein
Anthony Trollope Joseph Conrad
Author_David Finkelstein
Blackwood's Magazine
Category=KNTP1
Category=NHT
Charles Reade
E. M. Forster
Edwardian Britain Scottish publishing firm William Blackwood and Sons
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
familial economic trade
George Eliot
George Tompkyns Chesney
John Buchan
John Galt
John Hanning Speke
Margaret Oliphant
publishing house archives
Robert Darnton
Thomas de Quincey

Product details

  • ISBN 9780271058368
  • Weight: 318g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Aug 2012
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Paperback
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The Scottish publishing firm of William Blackwood & Sons, founded in 1804, was a major force in nineteenth- and early twentieth-century British literary history, publishing a diverse group of important authors—including George Eliot, John Galt, Thomas de Quincey, Margaret Oliphant, Anthony Trollope, Joseph Conrad, and John Buchan, among many others—in book form and in its monthly Blackwood’s Magazine. In The House of Blackwood, David Finkelstein exposes for the first time the successes and failures of this onetime publishing powerhouse.

Finkelstein begins with a general history of the Blackwood firm from 1804 to 1920, attending to family dynamics over several generations, to their molding of a particular political and national culture, to the shaping of a Blackwood’s audience, and to the multiple causes for the firm’s decline in the decades before World War I. He then uses six case studies of authors—Conrad, Oliphant, John Hanning Speke, George Tompkyns Chesney, Charles Reade, and E. M. Forster—and their relationships with the publishing house. He mines the voluminous correspondence of the firm with its authors and, eventually, with the authors’ agents. The value of the archive Finkelstein studies is its completeness, the depth of the ledger material (particularly interesting given that the Blackwoods did much of their own printing), and the extraordinary longevity of the firm. A key value of Finkelstein’s account is his attention to the author/publisher/reader circuit that Robert Darnton emphasizes as the central focus of book history.

David Finkelstein is Dean of the School of Humanities at the University of Dundee. He is editor of An Index to "Blackwood's Magazine," 1901–1980 (1995) and coeditor of four recent books, including The Book History Reader (2001) and Nineteenth-Century Media and the Construction of Identities (2000). He has spent the last few years investigating the Blackwood papers for the National Library of Scotland, which has enabled him to exploit business documents ignored by or unknown to previous researchers.

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