How Abstract Is It? Thinking Capital Now

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'economic turn'
abstraction
abstraction in economics
Abstraction Set
capitalism
Capitalist Abstraction
Category=DSA
Category=DSB
Category=KCL
Category=KCZ
Category=QDTN
Clock Time
Coup De
critical theory
cultural criticism
cultural materialism
David Foster Wallace
David Foster Wallace analysis
Determinate Absence
economic humanities
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film analysis
financial abstraction in literature
financial crisis
financialisation theory
Follow
Held
IME
Indebted Man
Initial Share Price
IRS Agent
IRS Employee
Joshua Clover
literary criticism finance
literary theory
Marxist Critical Tradition
Neti Neti
Pale King
poetry
Post-war
postCold War
Real Abstraction
Recent French Theory
shareholders
Stock Ticker
Stratton Oakmont
Textual Practice
Timothy Bewes
Vice Versa
Vivek Chibber

Product details

  • ISBN 9781138294974
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Since the start of the financial crisis in 2008, the notion that capitalism has become too abstract for all but the most rarefied specialists to understand has been widely presupposed. Yet even in academic circles, the question of abstraction itself – of what exactly abstraction is, and does, under financialisation – seems to have gone largely unexplored – or has it? By putting the question of abstraction centre stage, How Abstract Is It? Thinking Capital Now offers an indispensable counterpoint to the ‘economic turn’ in the humanities, bringing together leading literary and cultural critics in order to propose that we may know far more about capital’s myriad abstractions than we typically think we do. Through in-depth engagement with classic and cutting-edge theorists, agile analyses of recent Hollywood films, groundbreaking readings of David Foster Wallace’s sprawling, unfinished novel, The Pale King, and even original poems, the contributors here suggest that the machinations and costs of finance – as well as alternatives to it – may already be hiding in plain sight. This book was originally published as a special issue of Textual Practice.

Rebecca Colesworthy is a Visiting Scholar in the Department of English at New York University, New York City, USA, and holds an English Ph.D. from Cornell University, Ithaca, NY, USA. She has published a number of articles on literature, theory, and gender studies, and is currently completing a manuscript on modernism and the gift. Peter Nicholls is Henry James Professor of English and American Letters at New York University, New York City, USA. His publications include Ezra Pound: Politics, Economics and Writing (1984), Modernisms: A Literary Guide (1995, 2009), George Oppen and the Fate of Modernism (2007, 2013), and many articles and essays on literature and theory. He has recently co-edited On Bathos (2010) and Thinking Poetry (2013).