How Our Lives Become Stories

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A01=Paul John Eakin
Author_Paul John Eakin
autobiographical essays
autobiographical literature
autobiographical truth
autobiography studies
autobiography theory
autobiography writing
autobiography writing examples
Category=DSA
Category=DSB
composition writing guide
contemporary autobiography
creative nonfiction
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eq_biography-true-stories
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eq_non-fiction
Ethics of Life Writing
good memoir writing
how do i write my memoir
how to write a autobiography
how to write a memoir
how to write my autobiography
How We Create Identity in Narrative
identity and narrative
life narratives
life storytelling
life writing
limits of authobiography
memoir class
memoir narratives
memoir studies
memoir theory
memoir writing
memoir writing guide
memory studies
nonfiction writing guide
On Autobiography
on writing
Reading Autobiography
Reference in Autobiography
self-representation
self-representation writing
the age of memoir
writing a memoir
writing guide
writing memoir good
writing my autobiography
writing reference

Product details

  • ISBN 9780801485985
  • Weight: 454g
  • Dimensions: 140 x 216mm
  • Publication Date: 15 Oct 1999
  • Publisher: Cornell University Press
  • Publication City/Country: US
  • Product Form: Paperback
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The popularity of such books as Frank McCourt's Angela's Ashes, Mary Karr's The Liars' Club, and Kathryn Harrison's controversial The Kiss, has led columnists to call ours "the age of memoir." And while some critics have derided the explosion of memoir as exhibitionistic and self-aggrandizing, literary theorists are now beginning to look seriously at this profusion of autobiographical literature. Informed by literary, scientific, and experiential concerns, How Our Lives Become Stories enhances knowledge of the complex forces that shape identity, and confronts the equally complex problems that arise when we write about who we think we are.

Using life writings as examples—including works by Christa Wolf, Art Spiegelman, Oliver Sacks, Henry Louis Gates, Melanie Thernstrom, and Philip Roth—Paul John Eakin draws on the latest research in neurology, cognitive science, memory studies, developmental psychology, and related fields to rethink the very nature of self-representation. After showing how the experience of living in one's body shapes one's identity, he explores relational and narrative modes of being, emphasizing social sources of identity, and demonstrating that the self and the story of the self are constantly evolving in relation to others. Eakin concludes by engaging the ethical issues raised by the conflict between the authorial impulse to life writing and a traditional, privacy-based ethics that such writings often violate.

Paul John Eakin is Ruth N. Halls Professor Emeritus of English at Indiana University. He is also the author of The New England Girl: Cultural Ideals in Hawthorne, Stowe, Howells, and James; Fictions in Autobiography: Studies in the Art of Self-Invention; and Touching the World: Reference in Autobiography. He is the editor of The Ethics of Life Writing, also from Cornell; On Autobiography by Philippe Lejeune, and American Autobiography: Retrospect and Prospect.

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