How Photography Changed Philosophy

Regular price €51.99
Quantity:
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Daniel Rubinstein
Absolute Invisibility
Al
analogue
art history
Author_Daniel Rubinstein
Breakdown
Camera Lucida
Category=AGA
Category=AJ
communication
contemporary consciousness
cultural memory
Derrida Names
digital
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eternal Recurrence
ethics
Face To Face
fine art theory
Follow
future
HCB
Henry Fox
Henry Fox Talbot
Hold
human
image ontology
Kantian Sublime
Latent Image
Light Sensitive Surface
materiality
media theory
metaphysical
Metaphysical Thinking
ontology
past
phenomenology
philosophy
philosophy of photographic representation
Photographic Event
Photographic Image
Photographic Process
photography
Pineal Eye
politics
Postmodern Sublime
present
structuralism
Talbot
techne
technology
theory
Timeless
Unstable
visual epistemology
Young Man

Product details

  • ISBN 9780367694241
  • Weight: 250g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

By analysing the philosophical lineage of notions of representation, time, being, light, exposure, image, and truth, this book argues that photography is the visual manifestation of the philosophical account of how humans encounter beings in the present.

Daniel Rubinstein argues that traditional understandings of photography are determined by the notions of verisimilitude and representation, and this limits our understanding of photographic materiality. It is suggested that the photographic image must be closely read not for the objects, events and situations represented in it, but for the insights it affords into the structure of contemporary consciousness.

The book will be of interest to scholars working in photography, media studies, philosophy, fine art, and art history.

Daniel Rubinstein is Reader in Philosophy and the Image in the Art Programme at Central Saint Martins, London where he leads the masters program in Contemporary Photography: Practices and Philosophies, and Associate Professor in Visual Communication at the Department of Business, Strategy and Political Sciences, University of South-Eastern Norway.

More from this author