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How Popular Musicians Learn
A01=Lucy Green
aural skills development
Author_Lucy Green
Category=AV
classical
Classroom Music Education
Covers Band
education
educational psychology of music
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eq_music
eq_nobargain
eq_non-fiction
formal
Formal Music Education
Function Band
GCSE Music
improvisation techniques
informal
Informal Learning Practices
Informal Music Learning
Informal Music Learning Practices
informal music learning strategies
Informal Popular Music Learning Practices
instrumental
Instrumental Lessons
Instrumental Teachers
Instrumental Tuition
learning
Learning Practices
Music Education
Music Education Researchers
Music Learning
Music Learning Practices
music pedagogy research
Originals Band
peer group music learning
Pop Stars
Popular Music
Popular Music Courses
Popular Music Skills
practice
practices
Purposive Listening
self-directed musicianship
Session Musicians
tuition
young
Young Popular Musicians
Product details
- ISBN 9781138453234
- Weight: 630g
- Dimensions: 156 x 234mm
- Publication Date: 28 Jul 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Popular musicians acquire some or all of their skills and knowledge informally, outside school or university, and with little help from trained instrumental teachers. How do they go about this process? Despite the fact that popular music has recently entered formal music education, we have as yet a limited understanding of the learning practices adopted by its musicians. Nor do we know why so many popular musicians in the past turned away from music education, or how young popular musicians today are responding to it. Drawing on a series of interviews with musicians aged between fifteen and fifty, Lucy Green explores the nature of pop musicians' informal learning practices, attitudes and values, the extent to which these altered over the last forty years, and the experiences of the musicians in formal music education. Through a comparison of the characteristics of informal pop music learning with those of more formal music education, the book offers insights into how we might re-invigorate the musical involvement of the population. Could the creation of a teaching culture that recognizes and rewards aural imitation, improvisation and experimentation, as well as commitment and passion, encourage more people to make music? Since the hardback publication of this book in 2001, the author has explored many of its themes through practical work in school classrooms. Her follow-up book, Music, Informal Learning and the School: A New Classroom Pedagogy (2008) appears in the same Ashgate series.
Lucy Green is Professor of Music Education at the Institute of Education, University of London. Her other books include Music, Informal Learning and the School: A New Classroom Pedagogy (2008); Music, Gender, Education (1997) and Music on Deaf Ears (1988).
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