How to Do Things with Forms

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A01=Chris Andrews
Anne Garreta
Author_Chris Andrews
automation
avant-garde
Category=DS
Clementine Melois
clinamen
competition
composition
constraint
creativity
Daniel Levin Becker
deception
Eduardo Berti
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimentalism
form
Francois Le Lionnais
Frederic Forte
games
gamification
Georges Perec
Harry Mathews
Herve Le Tellier
imitation
improvisation
inspiration
Italo Calvino
Jacques Bens
Jacques Jouet
Jacques Roubaud
literature
Marcel Benabou
mathematics
Michele Metail
Michelle Grangaud
numerology
originality
overinterpretation
paranoia
Paul Fournel
play
potentiality
procedure
process
project
psychoanalysis
Raymond Queneau
surrealism
translation
uptake

Product details

  • ISBN 9780228011637
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Sep 2022
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Paperback
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The Oulipo (Ouvroir de littérature potentielle, or Workshop for Potential Literature) is a literary think tank that brings together writers and mathematicians. Since 1960, its worldwide influence has refreshed ways of making and thinking about literature.

How to Do Things with Forms assesses the work of the group, explores where it came from, and envisages its future. Redefining the Oulipo’s key concept of the constraint in a clear and rigorous way, Chris Andrews weighs the roles of craft and imitation in the group’s practice. He highlights the importance of translation for the Oulipo’s writers, explaining how their new forms convey meanings and how these famously playful authors are also moved by serious concerns. Offering fresh interpretations of emblematic Oulipian works such as Georges Perec’s Life: A User’s Manual, Andrews also examines lesser-known texts by Jacques Roubaud, Anne F. Garréta, and Michelle Grangaud.

How to Do Things with Forms addresses questions of interest to anyone involved in the making of literature, illuminating how writers decide when to stop revising, the risks and benefits of a project mentality in creative writing, and ways of holding a reader’s interest for as long as possible.

Chris Andrews is associate professor at the Writing and Society Research Centre at Western Sydney University.

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