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How To Kill Friends And Implicate People

Jay Stringer
€15.99
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A01=Jay Stringer
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Author_Jay Stringer
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black comedy
Category1=Fiction
Category=FF
COP=United States
crime
dark humour
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_crime
eq_fiction
eq_isMigrated=2
eq_nobargain
gangsters
glasgow
gritty
hardboiled
hitman
Language_English
murder
noir
NWS=2
PA=In stock
PI
Price_€10 to €20
private invetigator
PS=Active
romance
screwball
SN=Sam Ireland Mysteries
softlaunch
underworld

Product details

  • ISBN 9781503939714
  • Weight: 408g
  • Dimensions: 140 x 210mm
  • Publication Date: 18 Oct 2016
  • Publisher: Amazon Publishing
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Description

Fergus Fletcher is a hit man. For five thousand pounds, he’ll kill anyone you want. For seven, he’ll frame someone else. Pretending to kill someone is a first, but Alex Pennan has stolen from the mob and needs to fake his own death.

Fergus is looking for love. So is Sam Ireland, a private investigator and part-time bike messenger. But she’s got her hands on a very important package and is in a world of trouble with the mob. Joe Pepper, pillar of society and corrupt gangland fixer, will stop at nothing—nothing at all—to intercept the package and protect his reputation.

Can Alex stay dead while his widow dances on his grave? Can Joe save himself before his stomach ulcer explodes? Can Fergus and Sam make it to a second date before Joe hires him to kill her?

Welcome to Glasgow. It’s a love story.
About Jay Stringer
Jay Stringer was born in 1980, and he’s not dead yet. He was raised in the Black Country, in England, but now calls Glasgow home, and his loyalties are divided. Jay is dyslexic, and came to the written word as a second language, via comic books, music and comedy. As a child, he spent his time dreaming of living in the New York of Daredevil comics and crime fiction, but as an adult he’s channelled those dreams into fiction of his own. Jay writes hard-boiled crime stories, dark comedies and social fiction. His heart beats for the outsider, and for people without a voice. He’s coined the term ‘social pulp fiction’ to describe his style.

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