How Women Must Write
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A01=Olga Peters Hasty
Akhmatova
Anna Akhmatova
Author_Olga Peters Hasty
Belinsky
Briusov
Category=DSB
Category=DSBF
Category=DSBH
Category=DSC
Cherubina de Gabriak
Eastern Europe
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Evdokiia Rostopchina
gender
Karolina Pavlova
Lermontov
letters
Literary Criticism
literature
Marina Tsvetaeva
Pavlova
poet
poetry
poets
Pushkin
Rostopchina
Russia
Russian
Silver Age
Soviet Union
Tsvetaeva
verse
Voloshin
women
writing
Product details
- ISBN 9780810140936
- Weight: 335g
- Dimensions: 152 x 228mm
- Publication Date: 15 Oct 2019
- Publisher: Northwestern University Press
- Publication City/Country: US
- Product Form: Paperback
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How Women Must Write studies how women who write poems were invented in late nineteenth and early twentieth-century Russia by women poets themselves, readers who derived poets of their own design from women’s poems, and male poets who fabricated women and wrote poems on their behalf. These distinct vantage points on how the Russian woman poet is constituted foreground the complex interactions between writing women and their readers within ever-shifting social, political, and cultural power structures.
Hasty’s exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also its containment. Each chapter studies an episode from Russian cultural history. The first part explores the successes and vulnerabilities of Karolina Pavlova and Evdokiia Rostopchina, who lay the groundwork for women writing after them. The second part examines two women invented by men: Cherubina de Gabriak and Briusov’s Nelli, who reflect the establishment’s efforts to retain command over women’s writing in the Silver Age. Last, Hasty examines Marina Tsvetaeva’s and Anna Akhmatova’s challenges to male authority.
Illuminating these writers and characters not as passive victims of gender-driven limitations and disincentives but rather as purposeful actors realizing themselves creatively and advancing the woman poet’s cause, How Women Must Write will appeal to the general reader as well as to specialists in Russian literature, women’s studies, and cultural history.
Hasty’s exploration takes us from an emphatically male Romantic age to a modernist period preoccupied with women’s creativity but also its containment. Each chapter studies an episode from Russian cultural history. The first part explores the successes and vulnerabilities of Karolina Pavlova and Evdokiia Rostopchina, who lay the groundwork for women writing after them. The second part examines two women invented by men: Cherubina de Gabriak and Briusov’s Nelli, who reflect the establishment’s efforts to retain command over women’s writing in the Silver Age. Last, Hasty examines Marina Tsvetaeva’s and Anna Akhmatova’s challenges to male authority.
Illuminating these writers and characters not as passive victims of gender-driven limitations and disincentives but rather as purposeful actors realizing themselves creatively and advancing the woman poet’s cause, How Women Must Write will appeal to the general reader as well as to specialists in Russian literature, women’s studies, and cultural history.
OLGA PETERS HASTY is a professor in the Department of Slavic Languages and Literatures at Princeton University. She is the author of Tsvetaeva’s Orphic Journeys in the Worlds of the Word and Pushkin’s Tatiana and, with Susanne Fusso, of America through Russian Eyes, 1874–1926.
