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A01=David Stuttard
acropolis
alcibiades
ancient athens
ancient democracy
ancient greece democracy
ancient greek drama
ancient politics
archaic greece
athenian agoran
athenian democracy
athenian empire
athenian philosophy
Author_David Stuttard
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classical archaeology
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erechtheum
golden age athens
golden age of athens
greek art
greek civilization
greek religion
greek sculpture
greek temple
hubris
panathenaic festival
parthenon
parthenon frieze
parthenon history
periclean athens
pericles
pericles biography
persian wars
pheidias
propaganda
propylaea
religious rituals
socrates
state religion
temple of athena
themistocles

Product details

  • ISBN 9780674258471
  • Weight: 735g
  • Dimensions: 156 x 235mm
  • Publication Date: 17 Mar 2026
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars.

The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris.

As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a third of the population, including Pericles; and earthquakes razed much of the city. In the wake of what seemed like divine retribution, popular outrage against those accused of undermining state religion was so strong that it took the execution of Socrates to lance the boil.

Hubris offers dramatic portraits of key figures like Pheidias, who sculpted the monumental statue of Athena yet fell prey to charges of impiety; Themistocles, who built the Athenian navy but died an exile in enemy lands; and Alcibiades, the psychopathic playboy whose mercurial ego hastened his city’s defeat. To understand the Parthenon and the Athens that built it, Stuttard reasons, we must recognize the tensions among the city’s rivalrous families, generations, and social classes, whose visions of their place in the world ultimately proved incompatible.

David Stuttard is an independent scholar, theater director, and Fellow of Goodenough College, London. He has written numerous books about Ancient Greece, including Nemesis: Alcibiades and the Fall of Athens and Phoenix: A Father, a Son, and the Rise of Athens.

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