Hume on Art, Emotion, and Superstition

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18th century philosophy
A Critical Study of Hume's Four Dissertations
A Critical Study of Hume’s Four Dissertations
A Dissertation on the Passions
A01=Amyas Merivale
aesthetic judgment
Amyas Merivale
An Enquiry Concerning the Passions
anti-egoism
association
Author_Amyas Merivale
British empiricism
Calm Desires
Category=QDTN
Category=QDTQ
comparison
Conversion Principle
David Hume
Delicate Sentiment
Direct Passions
egoism
Enquiry Concerning Human Understanding
Enquiry Concerning the Principles of Morals
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eq_isMigrated=2
eq_nobargain
Exciting Reasons
Extrinsic Interpretation
Follow
Four Dissertations
Hume
Hume studies
Hume's Account
Hume's Moral Philosophy
Hume's Natural History
Hume's theory of passions development
Hume’s Account
Hume’s Moral Philosophy
Hume’s Natural History
Hutcheson's Influence
Hutcheson's Moral Sense
Hutcheson’s Influence
Hutcheson’s Moral Sense
Independent Study
Indirect Passions
intentionality
Joint Verdict
Joseph Butler
Moral Enquiry
moral philosophers
moral psychology
motivation
motivation theory
Natural History of Religion
Of the Standard of Taste
Of Tragedy
original instincts
Original Publication Context
passions
Peter Millican
philosophy of emotion
Predominant Passion
reason
religious belief
religious belief analysis
SBN
Sceptical Principle
Subordinate Passion
superstition
sympathy
sympathy and sentiment
Treatise of Human Nature
True Judges
value
Violent Passions
Young Man

Product details

  • ISBN 9781138351462
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Nov 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers the first comprehensive critical study of David Hume’s Four Dissertations of 1757, containing the Natural History of Religion, the Dissertation on the Passions, and the two essays Of Tragedy and Of the Standard of Taste. The author defends two important claims. The first is that these four works were not published together merely for convenience, but that they form a tightly integrated set, unified by the subject matter of the passions. The second is that the theory of the passions they jointly present is significantly different—indeed, significantly improved—from that of the earlier Treatise. Most strikingly, it is anti-egoist and anti-hedonist about motivation, where the Treatise had espoused a Lockean hedonism and egoism. It is also more cognitivist in its analysis of the passions themselves, and demonstrates a greater awareness of the limits of sympathy and of the varieties of human taste. This book is an important contribution to the scholarly literature on Hume’s work on the passions, art, and superstitious belief.

Amyas Merivale works at the Faculty of Philosophy, University of Oxford, UK. He is the co-editor of Hume’s Enquiry concerning the Principles of Morals, with Writings on Aesthetics and the Passions, and the developer of davidhume.org. His published work has appeared in the British Journal of Aesthetics and Hume Studies.

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