Humour and Irony in Dutch Post-War Fiction Film
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A01=Peter Verstraten
Author_Peter Verstraten
Category=ATFA
Category=JBCT
Category=NH
cinematic satire
cultural identity analysis
deadpan narrative
dutch cinema - postwar fiction films - humour - irony - grotesque
Dutch cultural critique
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
irony in European cinema
postmodern camp
Product details
- ISBN 9781041181118
- Weight: 790g
- Dimensions: 156 x 234mm
- Publication Date: 01 Dec 2025
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Dutch cinema, when discussed, is typically treated only in terms of pre-war films or documentaries, leaving post-war fictional film largely understudied. At the same time, a Hollandse school, a term first coined in the 1980s, has developed through deadpan, ironic films like those of director and actor Alex van Warmerdam. Using seminal theories on humour and comedy, this book explores a number of Dutch films using the notion of categories, such as low-class comedies, neurotic romances, deliberate camp, and grotesque satire. With its original approach, this study makes surprising connections between Dutch films from various decades.
Peter Verstraten is Assistant Professor of Film and Literary Studies at Leiden University. His publications include Film Narratology (2009) and Humour and Irony in Dutch Post-war Fiction Film (2016). Together with directors of photography Richard van Oosterhout and Maarten van Rossem, he co-edited Shooting Time (2012), a volume on cinematography. He is a regular contributor to Senses of Cinema.
