Humour in the Arts

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anglo-saxon
Anglo-Saxon Humour
Anne M. Scott
barnhelm
Bourgeois Tragedy
Category=AB
Category=DSB
Category=NHAH
Category=NHTB
Clerical Satire
comedy
cultural history humor
Das Lachen
Early Childhood Cognition
Edition De Luxe
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical controversy analysis
Exeter Book Riddles
Gotthold Ephraim Lessing
Hamburgische Dramaturgie
Holy Man
humor in Western cultural formation
humorous
Humorous Strategies
II Henry IV
incongruity
Incongruity Theory
Jean Baptiste Poquelin
John Michael Corrigan
John Morreall
Jonathan Wilcox
King George III
Le Fils Naturel
Lyndsey Bakewell
minna
Minna Von Barnhelm
Moliere
Mou-Lan Wong
Pascale LaFountain
political humor studies
R. Drew Griffith
religious satire discourse
restoration
Restoration Comedies
Robert S. White
Sad Clown
Sara Read
Sea Water
Shun-liang Chao
Sixteenth Century Humour
strategies
Surrealist Image
theory
visual arts comedy
von
Western literary satire
Wide Ne
Young Man

Product details

  • ISBN 9781138314641
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.

Vivienne Westbrook is an Adjunct Professor at The University of Western Australia and a member of St. John’s College, Cambridge. She has received numerous international endorsements for her work in cultural history, including a Presidential Award for Outstanding Contributions to Research in the Arts, Humanities and Social Sciences.

Shun-liang Chao is Associate Professor of English at National Chengchi University, Taiwan and currently a Fulbright Scholar at Harvard University. He is the author of Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte (Routledge, 2010), awarded an Honourable Mention in 2013 for the Anna Balakian Prize of the International Comparative Literature Association.