A01=David Brisson
algorithmic structures
Author_David Brisson
Category=AB
Close Packing Structures
computational geometry
Constant Negative Curvature
Derek De Solla Price
Descriptive Geometry
Divine Proportion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Follow
Form Empathy
Geodesic Line
Horizontal Parallax
Impossible Triangle
Isometric Projection
Marks Vertices
multidimensional modeling
Perspective Distortions
Perspective Projection
Platonic Solids
Projective Geometry
Regular Polyhedra
Reversible Staircase
Rhombic Dodecahedron
scientific visualization
Silk Screen Prints
Stereoscopic Movies
Superimposed
systems theory
Tetrahedron Edge
Two-fold Rotational Symmetry
Viewing Point
visual cognition
visual representation of n-dimensional data
Product details
- ISBN 9780367168070
- Weight: 453g
- Dimensions: 152 x 229mm
- Publication Date: 17 Dec 2020
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This book reviews developments in hypergraphics from the perspectives of a variety of fields in art and science. It is concerned with visual models and visual thought and discusses the role of art in the discovery of technologically useful materials and techniques.
Edited by David W. Brisson associate professor of design at the Rhode Island School of Design, is a painter and sculptor, and for the past 15 years has been working in the area of geometry[1]ry and perception. He invented the three-dimensional anaglyph and the hypersecretion and devised a method of making three[1]dimensional lenticular drawings, hyperstereograms, and other forms. His art has been exhibited throughout the United States, and he has organized a number of symposia and exhibit[1]tions on hypergraphias. Among his books are Curved 4-Space (1976), and A New Reality: A Theory of Dimensionality (1976).
