Hypertheatre

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A01=Olga Kekis
Age Group_Uncategorized
Age Group_Uncategorized
Ancient Greek Drama
Antigone
Athenian Tragedies
Author_Olga Kekis
automatic-update
Bertolt Brecht Archiv
Brecht
Canonical Counter-discourse
Category1=Non-Fiction
Category=AN
Category=ATD
Category=CBW
Central Female Figure
central female figures
classical drama reinterpretation
Clear Referent
Contemporary Society
COP=United States
cultural adaptation analysis
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female agency in literature
female solidarity
feminist performance theory
gender in ancient plays
Gender Sensitive Reforms
Greek Canon
Home Town
individual women's strengths
Johnson Sirleaf
Language_English
Linda Hutcheon
Medea
Medea's Infanticide
Medea’s Infanticide
Metatheatrical
Older Styles
PA=Available
Postdramatic Theatre
Postmodern
postmodern adaptations of Greek classics
postmodern theatre studies
Price_€100 and above
Project Arts Centre
PS=Active
radical reimagining of Greek tragedy
Remaking
Ruth Berlau
Soap Opera Digest
softlaunch
Theatrical Adaptation
Tight Rope
Tight Rope Walker
Timeless
Trojan Women
Visual Dramaturgy
World Theatre Day

Product details

  • ISBN 9780815368731
  • Weight: 422g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Jul 2019
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues.

The book’s premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the cultures of which they are a part. Central to this study is the idea that each of these adaptations becomes an entirely new play, redefining its central female figures and invoking reconfigurations of femininity which emphasise individual women’s strengths and female solidarity.

Written for scholars of Theatre, Adaptation, Performance Studies, and Literature, Hypertheatre places the Greek classics firmly within a contemporary feminist discourse.

Olga Kekis is an independent scholar who holds a PhD in Drama from the University of Birmingham, UK. Her research interests include the theory and practice of Theatrical Adaptation, Theatre History and Museum Theatre. She has published in edited collections and theatre journals and has presented at IFTR and TaPRA as well as other national and international meetings.

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