I Walked With a Zombie

Regular price €87.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Clive Dawson
Age Group_Uncategorized
Age Group_Uncategorized
Author_Clive Dawson
automatic-update
Category1=Non-Fiction
Category=AP
Category=APFA
Category=ATFA
Category=ATMH
Category=ATMN
Classic horror cinema
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Female Gothic
Jacques Tourneur
Language_English
PA=Available
Postcolonial
Price_€50 to €100
PS=Active
softlaunch
Val Lewton

Product details

  • ISBN 9781837645169
  • Publication Date: 01 Aug 2023
  • Publisher: Liverpool University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

I Walked with a Zombie (1943), Val Lewton's second feature for RKO Radio Pictures, was described by critic Robin Wood as 'perhaps the most delicate poetic fantasy in the American Cinema.' Following immediately in the wake of the groundbreaking Cat People (1942), Zombie pioneered an even more radical narrative approach yet proved to be the critical and commercial equal of its predecessor, cementing the reputation of both Lewton and his director, Jacques Tourneur.

Despite the lurid, studio-imposed title, I Walked with a Zombie is a subtle and ambiguous visual poem that advanced a daring condemnation of slavery and colonialism at a time when such themes were being actively suppressed by government censors. Clive Dawson charts the complex development and production of the project, essential to understanding the concerns of the filmmakers in the context of wartime Hollywood, then analyses the film in detail, referencing a broad range of academic studies of the audio-visual text and distilling new insight into its layers of meaning. Finally, he explores the film's reception, and the influence it exerted on the horror genre and beyond. Extensive primary research has uncovered a wealth of previously unpublished new material that solves many unanswered questions and dispels various myths about this utterly unique film.

Clive Dawson has an extensive background as a practitioner in animation, television and theatrical feature films, and is a professional screenwriter with various screen credits. He’s also the author of numerous film-related journal articles, including a career biography of Lewton screenwriter Ardel Wray for the Bright Lights Film Journal. He specialises in genre cinema from the 1940s to the 1960s.

More from this author