Ibsen Apocalypse

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A Doll House
A01=Andrew Friedman
A01=Andrew Lane Friedman
Action Painting
An Enemy of the People
Author_Andrew Friedman
Author_Andrew Lane Friedman
Avant-Garde
Avant-Garde Theater
Avant-Gardes
Bauhaus
Category=ATD
Category=ATY
Category=DS
Category=DSB
Category=DSG
Directing
Director's Theatre
Durational Performance
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
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eq_non-fiction
Erwin Piscator
Experimental Theatre
F.T. Marinetti
Fascism
forthcoming
Futurism
Futurist Art
German Theatre
Gesamtkunstwerk
Ghosts
Grotesque
Henrik Ibsen
Ida Muller
Idealism
Jackson Pollock
John Gabriel Borkman
masks
Modernism
Modernist Theater
Modernity
Norwegian Theatre
Peer Gynt
Performance Art
Postdramatic Theatre
prosthetics
Provocation
Radicalism
Radicality
Richard Wagner
Temporality
The Master Builder
The Wild Duck
Theater
Theatre
Theatrical Provocation
Total Theater
Totality
Ubermarionette
Vegard Vinge
Volksbuhne
Walter Gropius

Product details

  • ISBN 9798899480232
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2026
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Presenting a groundbreaking account of an audacious theatrical undertaking

Created by the Norwegian/German duo of Vegard Vinge and Ida Müller, the Ibsen-Saga (2006–present) is a six-hundred-year project to restage Henrik Ibsen's entire oeuvre. Andrew Friedman presents a groundbreaking historical narrative of this project's development and dramaturgy, through the theories and practices of modernism's most influential and controversial artists, including Henrik Ibsen, Richard Wagner, F. T. Marinetti, Erwin Piscator, and Jackson Pollock. Vinge and Müller treat Ibsen's plays as the urtexts of a mythical struggle between artistic vision and material limits, which they explore through analogous narratives ranging from Hamlet to World Cup soccer matches, all unified by a singular aesthetic that juxtaposes totalizing fiction and extreme reality. As Friedman shows, they mythologize Ibsen's themes of artistic ambition to resurrect and test modernism's fantasies of artistic autonomy, totality, creative license, and provocation.

By reading Vinge and Müller's project through its modernist inspirations, Friedman demonstrates the material and ethical limits of modernist ideals in current theatrical practice, providing new perspectives on the legacy of these pioneering figures. Ibsen Apocalypse is a bold, cross-disciplinary reappraisal of the persistent power of modernity in contemporary performance.

Andrew Friedman is an associate professor of theater history and associate dean in the College of Fine Arts at Ball State University.

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