Iconoclasm in European Cinema

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A01=Chiara Quaranta
anti-mimesis
art house cinema
Author_Chiara Quaranta
Category=ATFA
Category=ATFB
Category=ATFG
eiko?n and eido?lon
eikon and eidolon
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film ethics
Iconoclasm
image-destruction

Product details

  • ISBN 9781474494465
  • Dimensions: 156 x 234mm
  • Publication Date: 30 May 2025
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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Exploring anti-mimesis and image destruction in Western European films, Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction offers the first comprehensive study of philosophical iconoclasm in cinema. Drawing on continental philosophy of the image, medieval theology and recent developments in film ethics, it investigates the aesthetic and ethical significance of destroying certain film images, both literally (via damages to the filmstrip) and metaphorically (through blank screens, altered motion and disruptive sounds). Analysing the work of various filmmakers, the book considers iconoclastic gestures against the film image's ability to mimetically represent contents on the verge of the invisible and the ineffable. This book demonstrates that the overlooked issue of iconoclasm in film is essential for understanding contemporary attitudes towards images and argues that cinematic iconoclasm can encourage an ethics of (in)visibility by questioning the limits of our right to see and show something on a screen.
Chiara Quaranta is Teaching Fellow in Film Studies at the University of Edinburgh

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