Icons of Power

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Amerindian cosmology
animal symbolism
Azuero Peninsula
Banco De La Republica
Big Cats
Black Jaguar
Category=GTD
Category=JBCC
Category=NK
Ceremonial Field
concolor
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felid
Feline Image
feline motifs in indigenous cultures
Feline Symbolism
felis
Felis Concolor
Horned Serpent
indigenous archaeology
Jaguar
Jaguar Symbolism
Large Felines
lion
mountain
Mountain Lion
Museo Del Oro
Northern Iroquoian
onca
panthera
Panthera Onca
Pecos Pueblo
Personal Guardian Spirit
pre-Columbian art
Puma Skin
san
Santafe De Bogota
shamanic practices
spiritual power dynamics
Sunken Circular Plaza
symbolism
Tropical Forest Cultures
Vice Versa
White Panther
Young Man

Product details

  • ISBN 9780415153270
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Jan 1998
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years.
The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies.
This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.

Nicholas J. Saunders has held research fellowship and teaching positions in Mexico, the USA, Trinidad, Jamaica and the United Kingdom. He is currently a Visiting Fellow in the archaeology department at Southampton University.