Icons of Sound

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Acoustic Model
acoustics
Architectural spaces
Armenian church
aurality
Byzantine art
Byzantine Chant
Byzantine chapels
Byzantine church
Byzantine music
Category=AGA
Category=AMX
Category=AV
Category=AVLA
Category=NHC
Category=QRA
Cathedral Rite
chant
church liturgy
church music
Church of San Marco
Codex Calixtinus
Della
digital aural reconstruction
digital humanities
Dino Compagni
Easter Mass
Emperor Leo VI
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eq_history
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eq_music
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Fieldwork Archives
Hagia Sophia
historical church acoustics research
Hortus Deliciarum
Iconostasis
Jacopo Robusti
Jacopo Sansovino
Kars Region
Latin chant
Leo VI
liturgical musicology
Majestas Domini
medieval acoustics
medieval architecture
medieval art
medieval chant
medieval church
medieval churches
medieval liturgy
medieval music
medieval religion
music and architecture
music and art
music and visual culture
National Library
Night Office
Night Service
Palace Chapel
Palatine Chapels
ritual soundscapes
Romanesque sculpture
Santa Sabina
Santiago Cathedral
Santiago De Compostela
sensory perception studies
sound studies
sound studies and architecture
sound studies and art
soundscape
Syrophoenician Woman
Theodore Psalter
Tintoretto
vocal music
voice studies

Product details

  • ISBN 9780367440879
  • Weight: 680g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments.

Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.

Bissera V. Pentcheva is Professor of Art History at Stanford University.