A01=Nicky Losseff
Aesthetic Judge
Artist's Model
Author_Nicky Losseff
Bellini's La Sonnambula
Bellini’s La Sonnambula
Category=AV
Category=AVL
Category=AVLA
Category=DSBF
Charles Auchester
Chopin
daniel
Daniel Deronda
deronda
des
Des Grieux
dorian
Dorian Gray
Du Maurier
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eq_biography-true-stories
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eq_isMigrated=2
eq_music
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Fantaisie Impromptu
Forgotten Female Aesthetes
gender and music analysis
Gluck's Orfeo Ed Euridice
Gluck’s Orfeo Ed Euridice
gray
grieux
Ich Liebe Dich
literary musicology
Mona Caird
Mozart
music and class dynamics
music interpretation in Victorian novels
nineteenth-century culture
Pas Sionate
phyllis
Phyllis Weliver
resartus
sartor
Sartor Resartus
Sensation Fiction
Sir Percival Glyde
social identity in fiction
TSV.
Victorian literature studies
Wandering Jew
weliver
Wolfgang Amadeus Mozart
Woman Composer
Young Man
Product details
- ISBN 9781138253919
- Weight: 590g
- Dimensions: 156 x 234mm
- Publication Date: 30 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.
Sophie Fuller is the author of The Pandora Guide to Women Composers (Pandora, 1994) and co-editor (with Lloyd Whitesell) of Queer Episodes in Music and Modern Identity (University of Illinois Press, 2002). Nicky Losseff is the author of The Best Concords: Polyphonic Music in Thirteenth-Century Britain (Garland, 1994) and articles on subjects ranging from Kate Bush to Bartók. She is a Lecturer in Music at the University of York, UK.
