Identity, Aesthetics, and Sound in the Fin de Siècle
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A01=Dariusz Gafijczuk
Altenberg
Anton Von Webern
auditory perception
Author_Dariusz Gafijczuk
Category=NHAH
Category=NHD
Category=NHTB
Chopin
cultural experimentation
Dense
Der Schwierige
diff
Diff Erent Range
DNA Code
ect
eff
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eq_history
eq_isMigrated=1
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erence
Freud's Ego Psychology
Freud’s Ego Psychology
Gogh
Gustav Klimt
Investigative Logic
kokoschka
Logical Relations
modernism
music
music psychology
Non-harmonic Tones
Nonharmonic Tones
oskar
Overburdens
Pathological Hearing
Phantom Limb
Pierrot Lunaire
psychoanalysis and music relationship
psychoanalytic theory
Schoenberg's Compositions
Schoenberg's Music
Schoenberg's Theory
schoenbergs
Schoenberg’s Compositions
Schoenberg’s Music
Schoenberg’s Theory
sensory experience
Vagrant Chords
viennese
Viennese modernism
Violate
Young Man
Product details
- ISBN 9781138952881
- Weight: 317g
- Dimensions: 152 x 229mm
- Publication Date: 16 Sep 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This book is an analytic and historical portrait of the volatile decades at the beginning of the 20th century. Engaging with avant-garde art and thought, and concentrating on two of the most controversial and still culturally relevant personalities of Viennese modernism - Sigmund Freud and Arnold Schoenberg - it tells the story of a cultural experiment of unprecedented proportions, an experiment that attempted to redesign the senses and the concept of individual identity. The book describes the shape of this identity through its mutually overlapping artistic and intellectual dimensions, as it explores the relationship between psychoanalysis and music.
Dariusz Gafijczuk is currently teaching and researching at the School of Slavonic and East European Studies, University College London.
