Identity and Diversity

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choreographic hybridity
Cloud Gate
Cloud Gate Dance
Cloud Gate Dance Theatre
contemporary Asian dance research
cross-cultural performance studies
cultural diversity
dance aesthetics
Dance Curriculum
Dance Education
dance pedagogy Taiwan
Dance Programmes
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Early Modern Dance
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Home Town
indigenous ritual dance
Indonesian Dance
International Dance Festival
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Lin Hwai Min
Lin's Adaptation
Lin’s Adaptation
Modern Dance
movement notation analysis
Tainan University
Taipei National University
Taiwanese choreographers
Taiwanese Dance
Taiwanese identity
Taiwanese performing arts
University Dance Programmes
West Germany
Young Men

Product details

  • ISBN 9781138662940
  • Weight: 370g
  • Dimensions: 138 x 216mm
  • Publication Date: 21 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Reflecting the breadth and diversity of dance in the Asia–Pacific region, this volume provides an in-depth and comprehensive study of Taiwan’s dance history. Taiwan is home to several indigenous tribes with unique rituals and folk dance traditions, with an array of eclectic influences including martial arts and Peking Opera from China, and dance forms such as contemporary, neo-classical, post-modern, jazz, ballroom, and hip-hop from the West. Dance in Taiwan, led by pioneers such as choreographers Liu Feng-shueh and Lin Hwai-min, continues to have a strong presence in both performance and educational arenas. In 1973, Lin Hwai-min created Cloud Gate Dance Theatre, the country’s internationally acclaimed modern dance company, and simultaneously produced a generation of dancers not only trained in modern dance and ballet, but also in Chinese aesthetics and history, tai-chi and meditation.

Including the voices of dance professionals, scholars and critics, this collection of articles highlights the emerging trends and challenges faced by dance in Taiwan. It examines the history, creative development, education, training, and above all, the hybrid practices that give Taiwanese dance a unique identity, making it central to the renaissance of Asian contemporary dance. In describing how the intersections of dance cultures are marked by exchanges, research and pedagogy, it shows the way choreographers, performers, associated artists and companies of the region choose to imaginatively invent, blend, fuse, select and morph the multiple influences, revitalising and preserving cultural heritage while oscillating between tradition and change.

Wang Yunyu is Professor of Dance at Taipei National University of the Arts, and President of the World Dance Alliance Asia–Pacific.

Stephanie Burridge lectures at Singapore Management University, LaSalle College of the Arts, and is a dance critic, author and editor.