Identity and Locality in Early European Music, 1028–1740
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academia
Ademar De Chabannes
Alessandro Scarlatti
August III
Baroque musical traditions
Boethius's De Institutione Musica
Cantus Firmus
Category=AVLA
Catherine Jeffreys
chapel
Deutsche Fotothek
early European musicological research
Episcopal Liturgy
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Greta J. Olson
High Percentage Accuracy
historia
international
James Grier
Jane Morlet Hardie
Janice B. Stockigt
Johannes Ciconia
josepha
Josquin's Motet
Kathleen E. Nelson
King Philip II
Leofranc Holford Strevens
maria
Maria Josepha
medieval musicology
Miranda Stanyon
Moerbeke's Translation
Motu Proprio
musicological
Paulus III
Pervasive Imitation
plainchant analysis
Polyphonic Imitation
real
Real Academia De La Historia
regional music identity
Reinhard Strohm
Renaissance composers
Rosalind Halton
royal
Royal Chapel
sacred music practices
Saint Martial
Scarlatti's Work
society
St John Passion
Super Psalmos
Valencia Cathedral
Product details
- ISBN 9780754664871
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 28 Nov 2009
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Adémar de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
Dr Jason Stoessel currently lectures on music history, musical cultures and music theory at the University of New England, Armidale, Australia. He has published on several topics in late medieval music, including notational process in early fifteenth-century manuscripts, intertextual process in the music of Johannes Ciconia, and editing late medieval songs. His current research is directed to investigating musical culture in late medieval Padua.
