Ideologies of Identity in Adolescent Fiction

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A01=Robyn McCallum
active
Active Subject Positions
Adolescent Fiction
adolescent literature criticism
Au Pair Girl
Author_Robyn McCallum
Bakhtinian theory
Category=DSY
Circular Narrative Structure
Conventional Historical Novels
cultural discourse analysis
dialogic subjectivity in youth fiction
Double Narrative Structure
Dry Sea
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extraliterary Discourses
Extraliterary Genres
FDD
Gran's Experience
Gran’s Experience
historiographic
Historiographic Metafiction
Implied Readers
Inquest Report
intersubjectivity studies
Messenger Documents
metafiction
Metafictive Novels
Mow Cop
multistranded
Multistranded Narration
Multivoiced Narration
narrative
narrative analysis
Narrative Strands
narratives
Parallel Narrative Strands
positions
Red Shift
Roman Strand
social identity formation
strand
Strange Objects
subject
techniques
Young Man

Product details

  • ISBN 9780815322900
  • Weight: 710g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Jun 1999
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Ideologies of Identity in Adolescent Fiction examines the representation of selfhood in adolescent and children's fiction, using a Bakhtinian approach to subjectivity, language, and narrative. The ideological frames within which identities are formed are inextricably bound up with ideas about subjectivity, ideas which pervade and underpin adolescent fictions. Although the humanist subject has been systematically interrogated by recent philosophy and criticism, the question which lies at the heart of fiction for young people is not whether a coherent self exists but what kind of self it is and what are the conditions of its coming into being. Ideologiesof Identity in Adolescent Fiction has a double focus: first, the images of selfhood that the fictions offer their readers, especially the interactions between selfhood, social and cultural forces, ideologies, and other selves; and second, the strategies used to structure narrative and to represent subjectivity and intersubjectivity.

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