Idioms of Self Interest

Regular price €198.40
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Jill Phillips Ingram
Aemilia Lanyer
Author_Jill Phillips Ingram
Bassanio's Choice
Category=DS
city
City Comedy
Civil Faith
comedy
communal trust ethics
Correct Casket
Double Entry
Double Entry Bookkeeping
early
early modern economics
Early Modern English
Early Modern English Literature
Early Seventeenth Century England
Eastward Ho
economic self-interest in Renaissance literature
Elizabeth Grymeston's Miscelanea
english
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face's Credit
Fair Young Man
Heywood's Fair Maid
literary credit systems
literature
mercantilist literature
modern
obligations
paternalistic
property law history
Rhetorical Redescription
Rich Chains
Ring Trick
Salomon's House
Shakespearean economic themes
Sir Petronel Flash
system
unequal
Unequal Obligations
Valerius Terminus
Whitney's Poem
Worthy Merchant
Young Man

Product details

  • ISBN 9780415978422
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Oct 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Idioms of Self-Interest uncovers an emerging social integration of economic self-interest in early modern England by examining literary representations of credit relationships in which individuals are both held to standards of communal trust and rewarded for risk-taking enterprise.

Drawing on women’s wills, merchants’ tracts, property law, mock testaments, mercantilist pamphlets and theatrical account books, and utilizing the latest work in economic theory and history, the book examines the history of economic thought as the history of discourse. In chapters that focus on The Merchant of Venice, Eastward Ho!, and Whitney’s Wyll and Testament, it finds linguistic and generic stress placed on an ethics of credit that allows for self-interest. Authors also register this stress as the failure of economic systems that deny self-interest, as in the overwrought paternalistic systems depicted in Shakespeare’s Timon of Athens and Francis Bacon’s New Atlantis.

The book demonstrates that Renaissance interpretive formations concerning economic behaviour were more flexible and innovative than appears at first glance, and it argues that the notion of self-interest is a coherent locus of interpretation in the early seventeenth century.

More from this author