if....

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1960s student uprisings
A01=Mark Sinker
anti-authoritarian cinema
Author_Mark Sinker
boarding school films
British cinema
Category=ATF
Category=ATFA
Category=ATFG
Category=ATFN
cinematic radicalism
class and authority
counterculture in British film
empire and elite education
English identity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
film and education
generational rebellion
if.... (1968)
Lindsay Anderson
Malcolm McDowell
public school culture
repression and revolt
ruling-class values
satire and political critique

Product details

  • ISBN 9781839029929
  • Weight: 180g
  • Dimensions: 134 x 188mm
  • Publication Date: 19 Feb 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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In his compelling study of if.... (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson’s depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film’s title is a sardonic nod to Rudyard Kipling’s most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if.... provided a peculiarly English perspective on the battle between generations – the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values.

In his foreword for this new edition, Mark Sinker considers if.... ’s continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson’s ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press.

Mark Sinker is a writer and editor based in Plymouth, UK. He edited The Wire in the 1990s and has written for publications including Sight and Sound, 4Columns and the London Review of Books. His book A Hidden Landscape Once a Week: The Unruly Curiosity of the UK Music Press in the 1960s–80s, in the Words of Those Who Were There was published in 2019.

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