IKONA - The Modernist Invention of the Icon in the Russian Art World, 1900s-1920s

Regular price €55.99
Title
Quantity:
Will Deliver When Available
Will Deliver When Available
14 days return policy Shipping & Delivery
20th century
A01=Clemena Antonova
artistic tradition
Author_Clemena Antonova
Category=JBCC9
Category=NHD
Category=NHTB
cultural uniqueness
enlightenment
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
history of art
history of ideas
history of modernism
intellectual history
Kazimir Malevich
medieval art
nationalism
Pavel Florensky
Picasso
Russian avant-garde
Russian history
Russian philosophy
Western modernity

Product details

  • ISBN 9781350574953
  • Dimensions: 129 x 198mm
  • Publication Date: 12 Nov 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book argues that ikona, the Russian word for ‘icon’, is a modernist concept invented by Russian avant-garde artists and art critics at the turn of the 20th century. Clemena Antonova argues that the very notion of ikona is modernist in the sense that it grew naturally out of the evolution of Russian avant-garde art and art criticism. Quite literally then, the Russian icon was not ‘discovered’ at the beginning of the 20th century, as we are often told; it was invented. Further, this invention was not the work of backward-looking, religious mystics and Orthodox conservatives – an all too frequent implication – but, as Antonova convincingly contends, the creation of some of the most trailblazing figures among the avant-garde and circles associated with the avant-garde.

IKONA - The Modernist Invention of the Icon in the Russian Art World, 1900s-1920s casts a fresh look at the much misunderstood idea of the Russian icon. Rather than accepting the conventional view that the icon is a remnant of medieval art which continues to cast its spell over modern image-making, it approaches ikona as a concept that was developed at the crossroad of ideas that were central to the emergence of Russian modernism.

Clemena Antonova is Research Director of the ‘World in Pieces’ Programme at the Institute for Human Sciences, Austria. She is the author of Visual Thought in Russian Religious Philosophy: Pavel Florensky’s Theory of the Icon (2020) and Space, Time, and Presence in the Icon. Seeing the World with the Eyes of God (2010).

More from this author