Illegitimacy and the National Family in Early Modern England

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A01=Helen Vella Bonavita
Al Estates
Author_Helen Vella Bonavita
Bale's King Johan
Bale’s King Johan
Bastard Faulconbridge
Bastard Normans
bastardy discourse
Bolingbroke's Inheritance
Bolingbroke’s Inheritance
Category=DDA
Category=DS
Category=DSB
Category=DSBD
Category=N
Catholic Malice
citizenship studies
early modern literature
Early Seventeenth Century England
Edward III
English Renaissance drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Fair Quarrel
Family State Analogies
illegitimacy in Shakespeare plays
James's Accession
James’s Accession
John's Reign
John’s Reign
King Johan
King Lear
Lear's Abdication
Lear’s Abdication
legal history England
national identity theory
Patrilineal Kinship Structures
Peele's Play
Peele’s Play
Pope Innocent III
Precious Stone
Richard II
Richard III
Richard's Heir
Richard’s Heir
Shakespeare's Richard III
Shakespeare’s Richard III
Troublesome Reign
Widow England

Product details

  • ISBN 9780367878979
  • Weight: 380g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study considers the figure of the bastard in the context of analogies of the family and the state in early modern England. The trope of illegitimacy, more than being simply a narrative or character-driven issue, is a vital component in the evolving construction and representation of British national identity in prose and drama of the sixteenth and early seventeenth century. Through close reading of a range of plays and prose texts, the book offers readers new insight into the semiotics of bastardy and concepts of national identity in early modern England, and reflects on contemporary issues of citizenship and identity. The author examines play texts of the period including Bale's King Johan, Peele's The Troublesome Reign of John, and Shakespeare's King John, Richard II, and King Lear in the context of a selection of legal, religious, and polemical texts. In so doing, she illuminates the extent to which the figure of the bastard and, more generally the trope of illegitimacy, existed as a distinct discourse within the wider discursive framework of family and nation.

Helen Vella Bonavita is Associate Professor at Edith Cowan University, Australia.

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