Illegitimate Freedom

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A01=Gaurav Majumdar
affect theory
Amor Fati
Arum Lilies
Auden's Early Work
Auden's Poem
Auden's Poetry
Auden's Work
Auden’s Early Work
Auden’s Poem
Auden’s Poetry
Auden’s Work
Author_Gaurav Majumdar
Bertha Young
Book III
Category=DS
Category=DSA
Category=DSB
Category=DSBF
Category=DSBH
class and literature
Dead Men
Disgusted Response
Eliot's Early Poems
Eliot's Work
Eliot’s Early Poems
Eliot’s Work
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical modernism
feminist literary criticism
Finnegans Wake
Free Indirect Discourse
HCE
Joyce's Work
Joyce’s Work
La Figlia Che Piange
literary informality
Main Character
Mansfield's Stories
Mansfield's Work
Mansfield’s Stories
Mansfield’s Work
modernist aesthetics
OED's Definition
OED’s Definition
Pear Tree
sensory experience in modernism
Shakespeherian Rag
Winfried Menninghaus
Young Men

Product details

  • ISBN 9780367444624
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Oct 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Illegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 is the first study of informality in modernist literature. Differentiating informality from intimacy in its introduction, the book discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works. It examines these works for particular nuances of the word "informality" in each of its chapters in the following thematic sequence: informality that offers humour, interpretive freedom, and promiscuity as counters to self-absorption in works by Virginia Woolf; rebuttals to male priorities in liberalism through "feminine informality" in several short stories by Katherine Mansfield; contempt for colloquialism and intimacy, tinged with class-anxieties and crises of attitude, in T. S. Eliot’s poetry; resistance to disgust in James Joyce’s novels; and the fusion of irreverence, protest, and praise in W. H. Auden’s writings before 1940. The book’s conclusion considers the risks of informality through a discussion of what it calls "inverted dignity." The theoretical aspects of the book offer insights into Lockean liberalism, the ethical dimensions of what Hélène Cixous termed "feminine writing," relations of sublimity and domesticity, Sigmund Freud’s arguments on humour and melancholia, and recent affect theory’s—as well as Immanuel Kant’s and Friedrich Nietzsche’s—views on disgust, linking these with modernism. This wide range of engagement makes this study relevant for those interested in literary studies, critical theory, and philosophy.

Gaurav Majumdar is Professor of English at Whitman College. His publications include the book Migrant Form: Anti-Colonial Aesthetics in Joyce, Rushdie, and Ray.

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