Illustrated Religious Texts in the North of Europe, 1500-1800

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A01=Adam Morton
A01=Feike Dietz
A01=Lien Roggen
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Archivum Romanum Societatis Iesu
Author_Adam Morton
Author_Feike Dietz
Author_Lien Roggen
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B01=Els Stronks
bartas
Bible Illustrations
Biblia Sacra
Calvin's Catechisms
Calvin’s Catechisms
Canker Wormes
Category1=Non-Fiction
Category=AB
Category=DS
Category=HBG
Category=HBJD
Category=HBTB
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Category=HRAX
Category=HRC
Category=KNTJ
Category=KNTP
Category=N
Category=NHB
Category=NHD
Category=NHTB
Category=QRAX
Category=QRM
Christian Classics Ethereal Library
Claes Jansz
confessional exchange
COP=United Kingdom
Delivery_Pre-order
Double Creation
Du Bartas
dutch
Dutch Republic
Early Modern
Early Modern England
early modern print culture
English Illustrated Books
eq_art-fashion-photography
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eq_biography-true-stories
eq_business-finance-law
eq_history
eq_isMigrated=2
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etchings
flemish
Flemish Etchings
iconoclasm studies
illustrated devotional literature analysis
Illustrated Religious Texts
jan
Jan Moretus
Jan Sadeler
Jesuit Mission Press
Language_English
Lucas Cranach
maarten
materiality of religious books
moretus
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Petrus Canisius
pia
Pia Desideria
Plantin Press
Price_€20 to €50
Protestant Catholic relations
PS=Forthcoming
Religious Emblem Books
republic
Romeyn De Hooghe
Salvator Mundi
softlaunch
visual literacy history
vos

Product details

  • ISBN 9781032923017
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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In recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe.
Feike Dietz is Assistant Professor in Early Modern Dutch Literature and Culture at Utrecht University. Her PhD project focused on the interconfessional exchange of illustrated religious literature in the Dutch Republic. This topic has been the focus of several articles and her book Literaire levensaders. Internationale uitwisseling van woord, beeld en religie in de Republiek (Literary Lifelines. The International Exchange of Word, Image and Religion in the Dutch Republic). Adam Morton is a Post-Doctoral Fellow at the University of Oxford. He previously worked at the Universities of Warwick and York. He researches anti-Catholicism and visual culture in Reformation England, and has published several articles as well as a volume on post-Reformation confessional identities, Getting Along? Religious Identities and Confessional Relations in Early Modern England (Ashgate, 2011). He is currently transforming his PhD thesis into a monograph. Lien Roggen studied Germanic Languages at the Catholic University of Leuven and is currently finishing her PhD on the emblematic oeuvre of the Flemish Jesuit Adriaan Poirters (1605-1674). Lien’s research focuses especially on Poirters’ appropriating of prints from a Latin context and his constant rewriting of his own work in which the relation between text and image changes in order to meet his Dutch readership. Els Stronks is Professor of Early Modern Dutch Literature and Culture at Utrecht University. She previously taught at Indiana University. She is the author of several articles and books. Her recent monograph, Negotiating Differences: Word, Image and Religion in the Dutch Republic, discusses how the first centuries of illustrated religious literature in the Northern Netherlands reveal patterns of social behaviour and confessional identity formation. Marc Van Vaeck is Professor of Early Modern Dutch Literature at the Catholic University of Leuven. He is the author of numerous articles on religious emblematics, and co-edi

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