Illustrating the Victorian Supernatural

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A01=Simon Cooke
Amelia Edwards
Author_Simon Cooke
book art
book history
books
cartoons
Category=AKLB
Category=DS
Category=FK
Category=JBCC1
Charles Dickens
colonialism
Dante Gabriel Rossetti
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender
George Cruikshank
ghost stories
ghosts
ghouls
gothic
graphic design
Henry James
illustration
image and text
John Everett Millais
John Leech
John Tenniel
M. E. Braddon
magazines
paranormal
psychology
race
satire
social class
the fantastic
Victorian serials
Victorian studies
weird
women's writing

Product details

  • ISBN 9780821426524
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Sep 2025
  • Publisher: Ohio University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A detailed study of Victorian supernaturalism in book and magazine illustrations and cartoons
Illustrating the Victorian Supernatural explores written and visual texts through which the original Victorian readership encountered and navigated their experience of supernaturalism. Looking across the nineteenth century, Simon Cooke investigates illustrative responses to well-known texts by writers such as Charles Dickens and Henry James while also examining responses to less familiar ghost stories by female authors such as M. E. Braddon and Amelia Edwards. The mix of familiar and unfamiliar carries forward into the selection of artists, both those in the mainstream-John Leech, George Cruikshank, Dante Gabriel Rossetti, John Everett Millais-and others whose names are lost to modern readers and whose work deserves to be better known.
The study addresses two main questions: how illustration responded to key literary texts and how graphic designs related to contemporary contexts of race, gender, and class and to the workings of the supernatural itself. The first chapter focuses on satirical writings about ghosts and ghostliness and the various ways illustrators depicted that mockery. Chapter 2 traces artistic responses to Dickens’s writing of the supernatural as a mode of psychological investigation. Chapter 3 looks at class and gender and the problematic practice of male artists illustrating female-authored ghost stories. The fourth chapter examines satirical cartoons’ deployment of supernatural imagery to anatomize issues of imperialism and race. Finally, chapter 5 examines how neo-Victorian artists have revisited the classic texts and taken up the themes established by their forebears.

Dr. Simon Cooke is an authority on Victorian illustration and has published widely in the field. His books include Illustrated Periodicals of the 1860s and The Moxon Tennyson: A Landmark in Victorian Illustration. He is a senior editor on the Victorian Web and the editor of Illustration magazine.

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